Benedikt Wiertz Bonn, b. 1955
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Biography
"With a career in ceramics spanning nearly four decades—and an abiding interest in the time embodied within the material and the process itself—Benedikt Wiertz, a German artist based in Brazil, presents a large-format series created using materials sourced directly from his studio grounds: earth, wood, fragments of termite mounds, and plants from the Serra da Moeda region in Minas Gerais. From the raw clay to the glazes and other finishing materials, everything is produced without industrial processing; the artist thus infuses his signature style with a rawer aesthetic, making the radical handling of the material visible."
Benedikt Wiertz develops a practice centered on ceramics as an artistic language and a vector for encounters. His works emerge from the tension between matter and form, tradition and invention, functionality and expression. Vases, totems, and sculptural objects take shape through the brutality of the material and subtle gestures, revealing textures, imperfections, and asymmetries that evoke earth and fire, touch and time. Deeply interested in Eastern firing and glazing techniques — especially Anagama kilns and Shino, Tenmoku, and Celadon glazes — his practice draws from ancient knowledge that values chance, flow, and imperfection as signs of presence. In his firings, which can last up to 70 hours, ash fused by firewood generates unique hues, expanding the organic and spiritual dimension of his work. In recent years, alongside artist Joseane Jorge, he founded the Xakra studio in Serra da Moeda (MG), where he conducts research with local materials, hosts artist residencies, and cultivates connections with the local community. In this context, ceramics also asserts itself as an expanded field of exchange and collective creation — a porous territory where individual practices and sensitive sharing are interwoven.
His solo exhibitions include: Cru e Transitório (2025, Galeria GTO, SESC Palladium, Belo Horizonte – Brazil), Cerâmica (1998, Palácio das Artes – Fundação Clóvis Salgado, Belo Horizonte – Brazil), and Intenções e Movimentos(1997, Centro Cultural UFMG, Belo Horizonte – Brazil).
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Works
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Vessel da série "Undomesticated" (Vessel from the series “Undomesticated”), 2021 -
Vessel da série "Undomesticated" / Vessel from the series "Undomesticated", 2021 -
Sem Título da série “Pérolas Improváveis” (Untitled from the series “Improbable Pearls”), 2025 -
Cosmos, 2026 -
Sem Título da Série "Undomesticated" (Untitled from the series "Undomesticated"), 2026 -
Sem Título da Série "Undomesticated" / Untitled from the series "Undomesticated", 2026 -
Sem Título da Série "Undomesticated" / Untitled from the series "Undomesticated", 2026 -
Sem Título da série “Undomesticated”, 2021 -
“Rosenvase” Uma rosa é uma rosa é uma rosa [“Rosenvase” A rose is a rose is a rose], 2018 -
Sem Título da série “Pérolas Improváveis”, 2022 -
Sem Título da série “Undomesticated”, 2022 -
Série “Undomesticated", 2023 -
Série “Undomesticated”, 2023 -
Sem Título da série “Pérolas Improváveis” (Untitled from the series “Unlikely Pearls”), 2025 -
Sem Título da Série "Undomesticated" / Untitled from the series "Undomesticated", 2026
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Exhibitions
