Gustavo Speridião’s work operates as a machine of language and noise, an expanded field of critical reflection and political expression. By articulating painting, drawing, collage, installation, sculpture, video, and writing, his practice is driven by a deep attention to art history, the impasses of representation, and the fracture between image and discourse. With a visual vocabulary charged with irony, violence, and directness, the artist stretches the boundary between the anecdotal and the propagandistic, the impulsive gesture and syntactic elaboration, constructing compositions that function as chronicles of the present and semantic traps. His work explores the relationships between text and image, mobilizing fragments of popular culture, symbols of power, slogans, and aphorisms in a visual flow that stages chaos, delirium, and the ruin of the contemporary world. His pieces incorporate the logic of scribble, remix, manifesto, and juxtaposition, establishing a space in which critique and poetry merge as tools of resistance. Under the influence of Russian Kino-Glaz and modernist strategies of rupture, his production evokes a sharp and defiant vision of art as a field of struggle and desire — a praise of collapse, downfall, and the constant reinvention of meaning.