Benedikt Wiertz Bonn, b. 1955
Dança das Cabeças, da série “Undomesticated” [Dança das Cabeças, from the series “Undomesticated”], 2026
Grês cerâmico, engobes de porcelana, argilas locais, fragmentos de argilas naturais, porcelana, elementos torneados, cinza e esmaltes variados
[Ceramic stoneware, porcelain engobes, local clays, fragments of natural clays, porcelain, turned elements, ash and various glazes]
[Ceramic stoneware, porcelain engobes, local clays, fragments of natural clays, porcelain, turned elements, ash and various glazes]
85 x 67 x 57 cm
[33 1/2 x 26 3/8 x 22 1/2 in]
[33 1/2 x 26 3/8 x 22 1/2 in]
Copyright The Artist
Further images
O título da obra faz referência à música de Egberto Gismonti e Naná Vasconcelos. A superfície da obra é construída em camadas de engobes de porcelana e argilas locais, formando...
O título da obra faz referência à música de Egberto Gismonti e Naná Vasconcelos. A superfície da obra é construída em camadas de engobes de porcelana e argilas locais, formando uma composição texturizada com fragmentos de argilas naturais e porcelana incrustados na estrutura cerâmica. A peça incorpora elementos torneados, integrados à composição da superfície. Recebe vidrado à base de cinza e camadas de vidrados variados, que contribuem para a formação da superfície e de suas diferentes texturas. Queimada em forno a gás a 1280 °C.
[The title of the work refers to music by Egberto Gismonti and Naná Vasconcelos. The surface of the work is built up in layers of porcelain engobes and local clays, forming a textured composition with fragments of natural clays and porcelain embedded in the ceramic structure. The piece incorporates turned elements integrated into the surface composition. It is glazed with ash-based glaze and layers of various glazes, contributing to the formation of the surface and its different textures. Fired in a gas kiln at 1280 °C.]
[The title of the work refers to music by Egberto Gismonti and Naná Vasconcelos. The surface of the work is built up in layers of porcelain engobes and local clays, forming a textured composition with fragments of natural clays and porcelain embedded in the ceramic structure. The piece incorporates turned elements integrated into the surface composition. It is glazed with ash-based glaze and layers of various glazes, contributing to the formation of the surface and its different textures. Fired in a gas kiln at 1280 °C.]
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